How ‘American Idiot’ Reinvigorated Green Day 13 Years Ago

Billie Joe Armstrong of Green Day live in Manchester

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After a flopped album, missing tapes, and a possibility of disbanding, Green Day delivered an album unlike no other. Their punk rock opera “American Idiot” marked the band’s career comeback in every way possible—sales, awards, charts, and most importantly, their vision for the people.

 

Rise, Fall, and Rise Again

 

Shooting to popularity in the ’90s with their album “Dookie,” the mainstream success unfortunately didn’t last long for the band. As the new decade turned, their sixth album “Warning” commercially flopped. They were on the verge of breaking up; lead singer Billie Joe Amrstrong began to pull Green Day’s creative direction without the involvement of bassist Mike Dirnt and drummer Tre Cool.

 

After sitting down for countless weekly conversations, the trio unearthed the deep trust they lost for each other. When they lost the tapes for their penned seventh album “Cigarettes and Valentines” the band decided to scrap the whole thing and start fresh. As they challenged each other with 30-second songs, the pieces began to fit, giving birth to the best album of the decade.

 

A New Kind of Tension

 

America’s modern political events involving George Bush and the war in Iraq inspired “American Idiot.” Although only two explicitly political songs made it on the album, the theme of American social dysfunction rounded the whole thing up. The country didn’t sweep these issues under the rug but the band knew they needed to speak up. Having children of their own only intensified their obligation to “make the word a little more sane.”

 

“American Idiot” follows the story of the anti-hero Jesus of Suburbia (JoS). Dissatisfied with the idea of rotting in the lower/middle-class American suburb, he packs his bags and heads for the city. While finding his way through the hectic metropolis, he meets freedom fighter St. Jimmy and “Mother Revolution” figure Whatsername. The two new characters evidently clash, leaving JoS in the center of an even more chaotic environment.

 

Both St. Jimmy and Whatsername epitomize the record’s theme of “rage and love.” While St. Jimmy feeds off “rebellion and self-destruction,” Whatsername radiates “following your beliefs and ethics.” Although Green Day leaves a majority of the plot to the listeners, the track “Homecoming” clarifies how the main character solves his dilemma. JoS chooses to, although a little too late, go with Whatsername, causing the figurative suicide of St. Jimmy who turns out to be one of his personalities all along. The melancholic tune of “Whatsername” closes the album, revealing the end of their relationship.

More Than Just Accolades

 

“American Idiot […] gives voice to the disenfranchised suburban underclass of Americans who feel wholly unrepresented by the current leadership of oilmen and Ivy Leaguers, and who are too smart to accept the “reality” presented by news media who sell the government’s line of fear and warmongering.”
John Colapinto, Rolling Stone

 

Even with seven Grammy Award nominations including Album of the Year and a multitude of Billboard/MTV/NME/BRIT Awards, they didn’t stop there. Their Berkeley Repertory Theatre musical adaption in 2009 found its way to the St. James Theatre in Broadway a year after. The entirety of “American Idiot” and a few songs from their succeeding album “21st Century Breakdown” completed the musical that ran for a full year. Armstrong showed off his acting chops, playing the role of St. Jimmy a couple times during its run. To prove that the hype around the musical never died down, international stages like West End and even a local Manila production ran performances with different casts.

 

Prior to the album’s release, Amrstrong suggested that “American Idiot” would make a good feature film. Michael Mayer, director of the Broadway musical, signed on as the film’s director. In an interview with NME last October 2016, Armstrong confirmed that HBO had already given the movie a green light. Rumors of production to begin late this year have been flying around, but so far the only thing verified is Armstrong’s reprisal of St. Jimmy.

 

With the extraordinary impact the album made on the music industry and the world, it’s no surprise that we’re still celebrating it 13 years later. Happy birthday, “American Idiot!” Welcome to your teenage years.

 

Featured photo from The Quietus

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Along with being U DO U's Editor-in-Chief, Sophie enjoys lugging her analogue cameras around to capture unalterable moments. When away from the office you can find her either stuck in a near-death situation on the Central Cordillera Mountains, vibing with the waves of Liwliwa, or on a flight back home to Hong Kong. Find out what she's up to on Instagram @sophiecaraan_ and say hello!

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